Learn · lesson 3 of 7
Diamonds, marcatos and N.C.
What does a diamond mean on a Nashville chart?
Hold it: the diamond
A number on its own says play this chord for this bar, in time, however the band is playing. A diamond around the number changes one thing: hit the chord once and let it ring. Nobody keeps time inside that bar. The chord sounds on the downbeat and sustains until the next thing on the chart.
Nashville number chart in the key of C, 4/4. 1 section. Read in order, comma to comma; two chords sharing a bar are joined by "then".
- Ch, 4 bars: 1, 4, 5, 1 (held)
This is the one mark in the number system nobody argues about.
The diamond holds the chord for the time the chord has, which is not always a whole bar. A diamond in a split bar rings for its share and hands over to the next chord on time. And when a chord is meant to ring longer than one bar, two diamonds are tied together. The tie is what says it is one sustain rather than two hits.
Nashville number chart in the key of C, 4/4. 1 section. Read in order, comma to comma; two chords sharing a bar are joined by "then".
- Out, 4 bars: 4, 5, 1 (held, tied), 1 (held)
Hit it and stop it: the marcato
The marcato is the diamond’s opposite. Hit the chord once and stop it immediately. Cut it off together, so what is left is silence until the next thing on the chart. The chord lasts about an eighth note. Players call it a choke or a stop as often as a marcato. The mark is a small caret above the number.
Nashville number chart in the key of C, 4/4. 1 section. Read in order, comma to comma; two chords sharing a bar are joined by "then".
- Ch, 4 bars: 1, 4, 5, 1 (hit and choked)
A marcato is a band mark more than a chord mark. One player holding on while the others stop is the kind of mistake everyone in the room hears, and the caret puts the cutoff on the page instead of in somebody’s memory of the rehearsal.
A chord cannot ring and be cut off at the same time, so a chord takes a diamond or a marcato and never both. In the editor the two keys are a pair, and pressing one puts the other out. What the marks do stack with is timing. A push says when the chord arrives; a diamond or a marcato says what happens once it has. A pushed diamond, where the chord comes in an eighth early and then rings, is an everyday combination on a real chart.
Play nothing: N.C.
The third mark is for a bar where the band plays nothing. Players call it a rest, or a break; on the chart it is written N.C., for no chord, in the place a number would go. It does not mean the song stops. It usually means the singer is alone, or the drums are filling, or the whole band has dropped out for a bar to make the next downbeat land harder. The band counts.
Nashville number chart in the key of C, 4/4. 1 section. Read in order, comma to comma; two chords sharing a bar are joined by "then".
- Ch, 4 bars: 1, 5 (hit and choked), no chord, 1
A choke, then a bar of N.C., then a downbeat: that shape is the classic break, and it is the reason these three marks belong in one lesson. A stop and a silence are different instructions: the marcato says how the 5 ends, and the N.C. says nothing replaces it. A rest of a particular length, an eighth of silence before a kick, is a written rhythm and beyond this lesson; N.C. is the bar-sized version, and the one to reach for first.
What the band does
Three marks, three instructions to a rhythm section, and the point of writing them down is that the band agrees before the count-off.
- Diamond. Bass and guitars hit the chord and hold it; drums hit a cymbal and let it ring, or lay out.
- Marcato. Everybody hits together and mutes together. The chord lasts as long as it takes to stop it.
- N.C. Nobody plays. Everybody counts, and the next chord on the page is where the band comes back in.
Every example on this page is a real chart, drawn by the same renderer that draws the library. If the notation here looks like the notation there, that is not a coincidence. It is the same code.